The first grade is a bridge between the kindergarten and the grades. The year begins with the discovery that behind all forms lie two basic principles: the straight and the curved line. The children find these shapes in their own bodies, in the classroom, and in the world beyond. The straight and curved line are then practiced through walking, drawing in the air and sand, on the blackboard, and finally, on paper. These form drawings train motor skills, awaken the children's powers of observation, and provide a foundation for the introduction of the alphabet.
Through fairy tales and stories the children are introduced to each letter of the alphabet. In this way the children experience the development of language in a very concrete yet creative way: instead of abstract symbols the letters become actual characters that the children have a real relationship with.
In a similar way, the children first experience the qualities of numbers before learning addition or subtraction: What is "oneness"? What is there only one of in the world? The four processes may be introduced as four princesses who are searching for jewels—Princess Plus always tries to carry more jewels than her pockets will hold; Miss Minus, on the other hand, is always losing her jewels. Stones, acorns, or other natural objects are used to introduce counting. Only after considerable practical experience in adding, subtracting, multiplying, and dividing are the written symbols for these operations introduced. First graders enter the world of music through the pentatonic scale. In this scale all the notes have a harmonious sound in any order they are played. Songs are based on seasonal themes; the playing of the pentatonic flute develops finger coordination, concentration, and breath control. Painting in the first grade is intended to give the children an experience of working with color rather than attempting to create formed "pictures." The children's feelings for form are encouraged through beeswax modeling and crayon illustrations. In coloring the children imitate the teacher's work, attempting to draw whole shapes rather outlining.